This guide is aimed at helping museums, galleries and other art industry professionals who need to find handling services. Union art handlers are professionals who are trained in the field of moving and handling artworks. They are commonly employed across the gallery and museum sector and may also be hired by private art collectors.
It is easy to see why there are a great number of benefits available for those who are working as part of a union in art handling. This job often requires physical labor and heavy lifting, and having the back up of a union is important. In addition, union members are able to benefit from the opportunity to train in safe and efficient transport and handling of valuable artworks, an essential skill in their sector.
In addition, the important issue of protecting artworks that may be extremely valuable or even priceless requires extensive training and experience to deal with appropriately. An organized institutions which allows handlers to train, to build their skills and to find jobs is of great benefit for union members and employers alike. To follow are some suggestions for how handlers are employed across the country.
In large cities which are known as art capitals there are ample jobs for handlers. Examples are New York City, Los Angeles and other locations where major museums and galleries find homes. It is not uncommon for art handlers to network through a community of like minded professionals in these cities.
The job responsibilities of art handlers are extremely broad. They may include safely packing artworks for shipment from one art institution to another. As a matter of fact it is common for museums and galleries as well as private collectors to loan their works for exhibitions in other venues.
It is easy to understand why being able to pack and transport works safely is a key skill. It can go a long way towards preventing damage and loss, a major concern for these institutions and private collectors. One other area where handlers regularly work is in installation.
In fact the installation of works can range from hanging framed paintings, to installing large scale sculptures safely. On that front it requires extensive knowledge of how to hang, install and display works in order that they do not risk harm to visitors. This may require bolting and securing sculptures and hanging pieces to floors, walls or ceilings.
It is easy to see why with the varied responsibilities of art handling it is not uncommon for members to belong to a union. The union is able to provide support and help with problems arise as well as training opportunities. Many members regularly take advantage of the resources that unions offer on their websites such as listings of upcoming networking and skills building opportunities. For further tips on this topic check out some of the online and print resources aimed at art handling including blogs and magazines. The former often contain reader forums which are a popular way for those working in this sector to pick up tips and advice from others in the field. Trade magazines devoted to this career also offer a variety of practical articles.
It is easy to see why there are a great number of benefits available for those who are working as part of a union in art handling. This job often requires physical labor and heavy lifting, and having the back up of a union is important. In addition, union members are able to benefit from the opportunity to train in safe and efficient transport and handling of valuable artworks, an essential skill in their sector.
In addition, the important issue of protecting artworks that may be extremely valuable or even priceless requires extensive training and experience to deal with appropriately. An organized institutions which allows handlers to train, to build their skills and to find jobs is of great benefit for union members and employers alike. To follow are some suggestions for how handlers are employed across the country.
In large cities which are known as art capitals there are ample jobs for handlers. Examples are New York City, Los Angeles and other locations where major museums and galleries find homes. It is not uncommon for art handlers to network through a community of like minded professionals in these cities.
The job responsibilities of art handlers are extremely broad. They may include safely packing artworks for shipment from one art institution to another. As a matter of fact it is common for museums and galleries as well as private collectors to loan their works for exhibitions in other venues.
It is easy to understand why being able to pack and transport works safely is a key skill. It can go a long way towards preventing damage and loss, a major concern for these institutions and private collectors. One other area where handlers regularly work is in installation.
In fact the installation of works can range from hanging framed paintings, to installing large scale sculptures safely. On that front it requires extensive knowledge of how to hang, install and display works in order that they do not risk harm to visitors. This may require bolting and securing sculptures and hanging pieces to floors, walls or ceilings.
It is easy to see why with the varied responsibilities of art handling it is not uncommon for members to belong to a union. The union is able to provide support and help with problems arise as well as training opportunities. Many members regularly take advantage of the resources that unions offer on their websites such as listings of upcoming networking and skills building opportunities. For further tips on this topic check out some of the online and print resources aimed at art handling including blogs and magazines. The former often contain reader forums which are a popular way for those working in this sector to pick up tips and advice from others in the field. Trade magazines devoted to this career also offer a variety of practical articles.
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